This week, we’re taking a well-deserved break away from creative pieces (although we love getting your submissions) and returning to another aspect of the Words, Pauses, Noises blog; the book review. Sam Jordison from Galley Beggar Press began his classes at Kingston University back in May and has inspired the choice for this week’s post, having published it with much critical acclaim. In our class with Sam, he discussed the voice, story, themes and motifs, which Caitríona Marron attempts to emulate in this review of A Girl is a Half-formed Thing by Eimear McBride.
A Girl is a Half-formed Thing is terrifying to look at, at first. Prose and dialogue are spun into chaotic, interrupted lines, the distorted point of view not retaining much clarity as the story continues. It eggs the average, commercial reader to take one look and snap the book shut. But this is what sets it apart from its contemporaries (scoring the Bailey’s Women’s prize for fiction). The beauty of this piece lies in the frantic and seemingly un-filtered reels of free consciousness that drive the reader to peel through each page, faithfully stumbling across each word at first. A disclaimer should promise the reader to hold tight until eyes become used to the pandemonium on the page after a chapter or so. Continue reading